Many resources aid the way I think about the components of writing—what a narrative can be and do—the various ways a narrative can move and invent itself. There are more resources than I can hope to recollect here; but, to provide you with a brief overview of what informs the way(s) I’d approach your manuscript, here’s a brief list of some resources I hold in high regard:
Aspects of the Novel (E.M. Forster), Essentials of the Theory of Fiction (eds. Michael J. Hoffman & Patrick D. Murphy), Craft in the Real World: Rethinking Fiction Writing and Workshopping (Matthew Salesses), How to Read Now: Essays (Elaine Castillo), “Paranoid Reading and Reparative Reading, Or, You’re So Paranoid, You Probably Think This Essay is About You” (Eve Kosofsky Sedgwick), How We Do It: Black Writers on Craft, Practice, and Skill (ed. Jericho Brown), and Eudora Welty’s essays on writing.
In addition to the standard “big picture” elements like story and character arcs, plot structure, narrative voice, style, and narrative control, I also read for:
- texture (threads in the narrative)
- color (vividness of language)
- composition (unity, variety, continuity, and harmony of elements)
My skillset is best suited for manuscripts that fall within the literary fiction category.
An avowal: I will never share your writing with Artificial Intelligence nor use it to assist in the editing of your work.